A single production may use a mix of A-Camera files in ProRes422, B-Camera footage in H.264, as well as archive footage in formats like Apple Intermediate Codec. For news, updates, and support regarding EditReady, or to learn about other products from Divergent Media, visit Overview Modern production pipelines often involve generating a wide mix of QuickTime, MXF, AVCHD, and HDV files. This manual will introduce you to the basics of EditReady, and provide suggestions for ways to use it within your post-production workflow. Simple, predictable pricing.Īn EditReady license is perpetual, works on Mac, and includes a year of updates and support.2 Contents 1 Welcome to EditReady 5 Welcome Overview Getting Started 6 Installing Uninstalling Registering Upgrading from EditReady Updating Reinstalling Application Overview 9 Basic Usage Multiple Windows Monitoring Progress Previewing Files 11 Applying LUTs during Playback ScopeLinkģ 5 Metadata 13 Browsing Metadata Editing Metadata Adding Metadata Removing Metadata Global Metadata Joining Files 18 Manually Joining Files GoPro AVCHD and HDV MXF Files Naming Your Files 20 Customizing File Names Overwriting Existing Files Destination Folder File Format Custom Presets 24 Video Format Apple ProRes Avid DNxHD Avid DNxHR H Audio Formats Uncompressed (PCM) AAC None Additional Batch Options 26 Framerate Adjustment LUTs Frame Size AdjustmentĤ Source Aspect Destination Size (pad) Destination Size (stretch) H.264 Options Target Bitrate Keyframes Profile Entropy Remove Unused Audio Tracks Video Overlays Text Overlays Image Overlays Metadata Overlays Troubleshooting 32 Errors during Conversion QuickTime (MOV, MP4, M4V) files MXF, HDV (M2T), and AVCHD (MTS) Files Submitting File Diagnostics Other Resources 33 Support on the Web support Phone Support Appendix A 34 Editing Metadata Options Running EditReady on Mac OS X 10.8 (Mountain Lion) Command Line Interface Appendix B 35 4ĥ Welcome to EditReady Welcome EditReady provides easy, powerful, and fast transcoding for video professionals. Use the overlay tool to burn-in timecode, reel names, shoot dates, media names, and other metadata. Layout custom formatted text, including metadata values from the source media. Import images with alpha channels to apply complex bugs or watermarks. Use the overlay editor to position graphical elements for compositing on top of your video. Play back, trim, add LUTsĪnd there's more: screen your camera's original media files before you transcode them, apply a LUT to preview your Log media with or without a specific predetermined look, check your previewed clip in ScopeBox via our integrated ScopeLink connection, and set In and Out points to avoid transcoding unwanted parts of your clips. EditReady's unique color pipeline make this a breeze, translating everything to what you need it to be, without compromises. When a shoot mixes camera formats, you'll end up with a variety of color spaces, Log types, HDR formats, and LUTs. The end result? A high quality proxy that's easy to edit with, with all the flexibility a non-RAW format carries. EditReady uses each vendor's specific RAW decoder, using the vendor preferred Log format to reflect the original shooting intent. Use metadata to automatically rename files, or burn data into overlays. Review and edit metadataĮditReady lets you view and edit all of the metadata associated with your file, including location data, camera settings, and diagnostic information. Every codec gets transcoded as its makers intended it to. No unofficial frameworks, and zero hacks. Using each manufacturers' original SDK wherever possible to ensure the best quality transcodes.
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