![]() ![]() as if you could just lean over and touch the strings! Resonance and the position of the hammers. Such as the interaction between strings, the use of pedals, the cabinet Vivid The piano creates the sound in real time while you are playing and takes intoĪccount all the complex factors that makes the piano a truly vivid instrument, The volume can be used for splitting the instruments to different keyboard ranges, and the attack envelope can be used to mix an instrument with a particular attack that you want to emphasize, with another one whose attack has been weakened via the attack envelope parameter. Both can be edited note per note in Pianoteq Standard and PRO. When layering instruments together, there are two parameters you may find of particular interest: volume and attack envelope. playing Bass Marimba in the low range, Xylophone in the upper range and mixing both together in the middle range. The Layering feature allows you to mix several instruments, e.g. In the audio examples below, Dynamic Morphing refers to the fact that the percentage of the various instruments is dynamically modified while playing, whereas it is fixed in the Static Morphing examples. The timbre of the morphed instrument you create is the one of an imaginary acoustic instrument whose physical parameters lie somewhere in between those of the instruments from which you started building the morphing. This new technology handles the morphing at the physical modelling level, providing a stunning acoustic authenticity to instruments that never existed. However these are three of the many instruments you can create with the acoustic Morphing introduced in Pianoteq 7 (Standard and PRO). Instruments VibraDrum, CimbaHarp or GlockenTines for sure do not exist. ![]() Up to 48 kHz in PIANOTEQ Stage and Standard. PIANOTEQ PRO offers an internal sample rate of up to 192 kHz. Presets built with PIANOTEQ PRO can be loaded in PIANOTEQ Standard without limitation. In PIANOTEQ Stage, preset loading is limited to parameters that are present in the interface. You can purchase additional instrument packs at any time. These instrument packs are fully working whereas remaining instrument packs are available in demo mode for your evaluation. During registration, you can choose two instrument packs with the Stage version, three with the Standard version and four with the PRO version. Note-per-note edit: all other physical parametersĬoncerns new purchases from 2019 onward. And seamless Patch switching lets you hold a chord in one sound while moving to a new Patch.Note-per-note edit: volume, detune, attack envelope With Multimapping, you can map multiple parameters to a single control, so you can smoothly manipulate your sound without trying to turn several knobs at once. Start walking a bass line up the keyboard, and the split point moves up so the bass doesn’t suddenly become some other sound when you get into the higher notes. It intelligently moves the split point on a split keyboard Patch to respond to what you’re playing. For starters, there’s the Floating Split Point. MainStage is not only an amazing host for software instruments and effects, it’s also packed with innovations that let you shine on stage. Or bring the authentic sounds of a Hammond B3 organ, Hohner Clavinet D6, or Fender Rhodes or Wurlitzer electric pianos on stage. Use Retro Synth to re-create your favorite electronic sounds from the ’70s and ’80s with an intuitive set of controls. And Chord Trigger allows you to press a single note and have it trigger an entire complex chord. The Arpeggiator features note-based remote controls and flexible latch modes. Take your performance beyond what you can actually perform. ![]()
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